Walter
Mitty (Ben Stiller) lives a routine existence. That same existence can be
stilted by his tendency to “zone out” while having fantasies about work and a
young woman he finds attractive. But one day, his job and any opportunity to
see the young woman—even from a distance—are threatened. How will Walter Mitty
react?
Walter
processes the negatives for Life magazine, but finds out the print magazine
will be cancelled: this will be the last issue. All he has to do is process
negative #25 from the adventure photographer Sean O’Connell (Sean Penn) for the
last cover. But that negative is missing. What will he do?
As
it turns out, Cheryl (Kristen Wiig), the woman he finds attractive, is in the
billing department and might help him find O’Connell’s most recent address. He
begins a series of natural conversations with her, and we’re cheered he seems
to be retreating into his fantasies less often—but he still has a
superhero/villain one involving the guy who will fire him if he doesn’t find
the negative. With Cheryl’s help, Walter figures out O’Connell might be in
Greenland.
Cheryl
suggests Walter go find out. It’s not clear if she’s serious or not. But Walter
has everything on the line—the negative, the need to give Life a good sendoff,
his job, gaining a good standing in Cheryl’s eyes. He sets out.
What
follows is an odyssey a routine person could never dream of. It involves flying
with a drunken helicopter pilot, skateboarding in Iceland, and climbing high
mountains. The scenery is breathtaking, and Walter’s ability to push himself
beyond his wildest hopes and fears is something to cheer. Will he find the
negative, keep his job, and impress Cheryl?
Ben
Stiller puts in a picture-perfect performance as an everyman who hurtles out of
his comfort zone, experiencing highs and lows in parts of the world he knew
nothing of. Kristen Wiig is likable (which Stiller said was a quality they
needed in that role), so we don’t tire of seeing her in the real scenes and in
Walter’s improbable fantasies. And Sean Penn looks unmovable as a mountain
as he waits for the perfect shot.
photo by Jiyang Chen
Ben
Stiller has somehow become a master director. He knows how to put together
thrilling spectacles, showcasing them from a human perspective. Usually he’s
been viewed as an actor who is so stupid, people laugh at him. But that was his
comic genius: as long as people laughed, he succeeded. Now he’s put together a
magnificent paean to the human spirit, and as this interview details, to the
older art of moviemaking.