I’m
going to show an earlier and a later draft of a new chapter for my reimagining of The War of the Worlds . Something has smashed into the house Ashley
has fled to. Try not to laugh at the
early draft:
***
It was several
hours later when I woke up, since it was broad daylight. Or, it would have been if we hadn’t been
covered with plaster and no light came in from the windows. In what the dim light we had, I brushed
myself off gingerly, since along with the plaster were sharp pieces of crockery
and even shards of glass. One shard had
embedded itself in the upper arm of the men’s jacket I wore. If this had been my peaceful life back in
Maybury, I would have called for Mr. Jonesworthy to remove it. Or, if left to my own devices, I would stare
at it for five minutes, seeing how the fabric was distorted around the impact
point before getting the courage to pull it out from the weave.
Here, I grabbed
it and plucked it out. It skittered among
the other wreckage on the floor.
***
Looking
at this, I realized I didn’t need the “Several hours later” because the
previous chapter had ended at midnight, so the daylight implied it. So I then added some sensory detail in the
first sentence—in this case, taste.
Also, the description of the distortion in the sleeve was awkward, and “grabbed
it” is redundant for “plucked it.” After
tinkering with other parts, the chapter now begins this way:
***
I woke up with a
mouth full of plaster. I spit out bitter
dust and saw it was broad daylight—or it would have been if we hadn’t been
covered with wreckage and no light came in from the window. In the broken daylight I brushed myself off
gingerly, the plaster accompanied by pieces of crockery and even shards
of glass—a sharp one embedding itself in the upper arm of the men’s jacket I
wore. If this had been my peaceful life
back in Maybury, I would have called for Mr. Jonesworthy to remove it. Or, if left to my own devices, I would have
stared at it for five minutes, seeing how the cruel glass had distorted the
fabric around the point before getting the courage to pull it from the
weave.
Here, I plucked
it out. It skittered among the other
wreckage on the floor.
***
You
might ask, “Are your first drafts always so lousy?” No comment.
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