I attended an all-day writing session today taught by Christopher Vogler, author of The Writer’s Journey. In it, he takes elements of The Hero’s Journey and other sources to help writers understand story structure and archetypes. So why am I starting out with The Lion King?
Vogler is quite influential in Hollywood and has often been asked to help with screenplays (the screenplays are his specialty, not novels). He was allowed to have some influence on The Lion King. As he told it, the first ten million dollars’ worth of animation had already been done, which would have been the first quarter or third of the movie.
He watched in particular the scene where a baboon lifts up the young Simba. He suggested that something like stained glass should be in the sky, with a beam of light coming down to rest on Simba. At that, the animators started furiously scribbling away at their versions of the concept. The other people shivered—that kind of shivering people get when they are deeply affected by something. He knew then that the concept was a keeper.
So they redid that first part of the animation, even though it cost them an extra two million dollars to do it.
I highly recommend Voglers’ The Writer’s Journey. Vogler himself emphasized we should not slavishly follow the story structure in it. I agree. Joseph Campbell in The Hero’s Journey stated that all great stories in recorded history have the same structure. That is not really true. But I was already writing my novels somewhat in the style of The Writer’s Journey, so it was a treat to hear Christopher Vogler go over it in person.
Also helpful, though not discussed at this Pacific Northwest Writer's Conference, is Myth and the Movies by Stuart Voytilla. Although both authors write in terms of movie-making, their insights also apply to novels.