We start with eleven-year-old
George Washington (Will Joseph) after the death of his father. He had hoped to
continue at school, but now he has to help his mother on the family farm. His half-brother
Lawrence (John Foss) tutors him in the classics, including Cato and Plutarch,
Seneca and Cincinnatus.
The grown Washington
(William Frankly-Miller) earnestly desires to be a British officer. But to be
an officer, he must be a gentleman—a member of the upper class. He strives to
have all the qualities of a gentleman, but he was not born into the correct
family for that.
George Washington
starts out as a surveyor. Lord Fairfax (Kelsey Grammer) agrees to have him survey
the Fairfax lands in the Ohio Valley. Washington does better than that, trying
to survey the entire Ohio Valley—a vast, unsettled wilderness. He discovers a
French fort in British territory.
When he brings
back the news, he is made a major in the Virginia Militia. Since this is a
colonial militia, he is not officially a British officer, so he still has not
achieved his goal.
The disastrous battle
that ensues at the start of the French and Indian War is the center of the
movie. Washington is not an effective leader. He blunders badly by ordering his
men to build a fort with short walls in the middle of a lake bed. All the French
and their Indian* allies have to do is wait for it to flood.
Experts who know
better than I say the costumes and settings are accurate. The combat scenes are
riveting. They have a “you are there” quality with a real dirtside view,
without being explicit in the violence. And there is lots of mud. The contrast
between those scenes and the elegant chambers of the aristocracy is purposefully
jarring.
Critics pretty
much agree with all of the above, then opinions diverge. Some say the movie has
a made-for-TV quality, or that it is only useful for stirring up childhood patriotism.
Did they just watch the trailers and fudge it from there? Young Washington
is a great movie, and I don’t often say that.
This is a badly-needed
exploration of the early years of George Washington, when he fought for the
British Empire. No man starts out as a great leader. This is shown to be
painfully true in the case of Washington. This is no hagiography or children’s
story. The movie convincingly shows how he learned from his blunders to become
not only a man, but a leader of men.
His bad decision
concerning Fort Necessity might not be covered much in schoolbooks. But it is essential
to understanding the man. William Frankly-Miller does a fantastic job of
showing Washington as a young officer way out of his depth, fanatically yelling
at his men to prepare for battle, then not knowing what to do when the French
and Indians rain murderous bullets onto them.
Mary-Louise Parker
does not quite look convincing as his mother Mary Washington, who was a hard-working
farmer’s widow. But her harangue to George that the Lord wants him to learn
wisdom from his mistakes is a fascinating scene. Also, Ben Kingsley is just
about perfect as the snobbish Lieutenant-Governor Dinwiddie, who is unimpressed
by Washington when he sends him out to give an ultimatum to the French, and who
is then outraged that a battle ensued.
The main inaccuracy
in the movie is showing a romance between Washington and Sally Cary. This did not
happen. In reality he only met her after she married. Apparently this was added
to appeal to women.
An anachronistic element
was added by showing an Indian chief wanting to meet Washington. He had
instructed his men to shoot Washington, but none of them could. The chief concluded
a great spirit was protecting him. In more than one battle, Washington did have
bullets tear through his uniform without leaving a scratch on him, and he did
have two horses shot out from under him in a single battle. But this particular
conversation occurred later in his career.
These minor criticisms
do no serious injury to the film. Young Washington is a great movie that
not only shows George Washington’s role in the French and Indian War, but also
the tumultuous events that made him the leader he ultimately became.
*A historically
accurate term for Native-Americans at the time.